Maria Theresia Bastion, Building D | The Central University Library “Eugen Todoran”

Sisters / Romani Kali Daj III / Three Graces / Second hand/ On the Way / Romnija

Women of different ages, quietly gathering together over a coffee, playing cards, patching or sewing, resting, smoking, are depicted in Małgorzata Mirga-Tas’s powerful portraits. Recombining patterned fabrics or collaging textiles over paintings, Mirga-Tas’s works reclaim the artistic value of decoration. Patchwork is a method of image-making which she applies in her works as well as in the workshops she leads with children and youth from Roma communities. She produces eye-catching pictures defined by skillfully drawn silhouettes, perfectly matched patterns of fabrics, striking colors, and detailed ornamentation. The choice of materials is closely tied to the subjects of her textiles and paintings, women from Roma communities to whom her works are largely dedicated. Reflecting on their role and place, Mirga-Tas employs fabrics and patterns from their immediate surroundings. Used clothes that were once worn by members of her family or community find a new life in her paintings. Bridging art with everyday life, Mirga-Tas captures her subjects in their day-to-day activities. Collective moments are often depicted in her works, women sharing tasks or spending time together, experiences that come across as treasured and enjoyable. Her work brings back the concept of “femmage” that Miriam Schapiro and Melissa Meyer once coined for the feminist collage, where materials and themes pertaining to the feminine sphere of life and culture are interlinked. AR