Ana Maria Millán

The work of Ana María Millán (b. 1975, Cali) addresses the politics of the animation in relation to digital cultures and subcultures, performativity, gender and  propaganda. She has developed techniques based on role playing, reenactment and ideas about animation as methodology to make a series of plays that end in the form of narrative films. This speaks from the position of amateur cultures, pop political culture, sound territories and technology, and incorporates the possibilities and mistakes of rehearsals, and narrative forms considered dysfunctional. Selected exhibitions: Witte de With, Rotterdam (2018, solo);  Le bruit des choses qui tombent, FRAC Provence Alpes Côte d’Azur, Marseille (2017);  Bordes de la cotidianidad. Apuntes para otra historia del video contemporáneo en Colombia, Jeu de Paume, Paris (2017); Immortality for all, Savvy Contemporary, Berlin (2016); Frío en Colombia, Luis Caballero prize, Archivo General de la Nación, Bogotá (2015, solo); Nido o Átomo. He Aquí la Estrella, Die Ecke Arte Contemporáneo, Santiago de Chile (2015);  Mutis Mutare, El Matadero, Madrid (2015); Video Sector, Miami Art Basel (2014);  Ir para Volver, 12 Bienal de Cuenca (2014);  ¿Tierra de Nadie?, Centro Cultural Montehermoso, Vitoria-Gasteiz (2011); AUTO-KINO! presented by Phil Collins, Temporäre Kunsthalle, Berlin (2009); Historias Colaterales, Centro Cultural de España, Guatemala (2008); I Still Believe in Miracles—part I, Musée d’Art Moderne de la Ville de Paris (2005).